THE OVAL LANGUAGE

The bell as a sound space. Visits under special physical conditions in the winter months – visits in the early morning hours from around midnight – sometimes in frost – working with the bell as a purely acoustic space in maximum urban silence.
An art book with two mini CDs will be created. 1. processed and 2. authentic sounds.
Exploring and documenting the bell and the area (photo documentation).

Three Locations of the artwork

The bell as a symbol:
1. Symbol of political appropriation (location of the book: German Library);
2. Art historical (location: Bell Museum in Beijing - planned);
3. Symbol of forgetting (location: Nakasaki Anti-War Museum)

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1987 E - Werk Cottbus 1989 Kiesgrube 1991 Hibernation 1992 warmupwarmon 1993 Clear 1993 Endlager 1994 Vom Haben zum Sein 1995 Rückkopplungsskulptur 1995 Eingriff in die ... 1998 raumflaneure 1999 vitaler ballast 1999 Taubenraum 2000 Akku.punktur - Keil 2000 Tropfschlag Intercession with ... 2001 Spender 2003 Die Glocke 2009 Ästhetik des ... 2014 Die Letzte Kontingenz 2015 Tarkowski Schlucht		1 2 3 4 2003 „Spender“ – Leipzig Central Stadium \| Edition: 11 art book with photo etchings Experience the bell and explore and document the area (artbook \| sound production \| photo documentation). The bell as a sound space. Visits under special physical conditions in the winter months – visits in the early morning hours from around midnight – sometimes in frost – working with the bell as a purely acoustic space in maximum urban silence. An art book with two mini CDs will be created. 1. processed and 2. authentic sounds. Exploring and documenting the bell and the area (photo documentation). Three Locations of the artwork The bell as a symbol: 1. Symbol of political appropriation (location of the book: German Library); 2. Art historical (location: Bell Museum in Beijing - planned); 3. Symbol of forgetting (location: Nakasaki Anti-War Museum)